By reading a provoking article about the state of Polish Universities I came across a very interesting University: The New School of Social Research which is located in New York. I looked at the type of classes they have and I realised how heterogenity of students and their interests make a vibrant community.
I am afraid that most of those studying the EU fall back to finding a single history of why all this happened. Of course there are federalists... but they only claim what is the end game- a federation of states/regions etc. There are functionalists, who say that we did it because we needed. There are realists who say that actually nature is not changing. They claim that states always existed and they have always pursued state interests... There are liberal intergovernmentalist who start depicting the rules of negotiations and the rational decision making. And at the very end we have politicians who write their biographies and depict the life as they remember it/or they want to be remembered.
So why we have direct elections to the European Parliament... I have not read a profound analysis of this break in politics in 1976 (it was decided then). What are the unintended consequences of the establishment of the Convention in Laeken? What was the mindset of the first Secretary General of the Commission? Did he perceive the role of administration according to ENA standards or was closer to the Dutch approach?
After all my studies I see an enormous gap in looking at all the European organisations jointly: Council of Europe, OECD, OECE, NATO. I understand that in 2009 the EU overshadows all the other phora. But how was it in the fifties, sixties?
And we fail to realise the huge complexity of interest formation and articulation within the governments and between them. I must say I know only one eye opening book about integration written by Philipe de Schouteete-a long serving member of COREPER. He does not depict history; he writes about ideas and their incarnations. And when he writes about these ideas, he shows the extremes and the full spectrum in between. OK, I agree I should read the Memoirs of Delors.
I was hoping that somebody (or me) will write one day a huge narrative about the European Union; a narrative which shall clarify who did what and when and with what objective. This would be exactly the story that nation states created to justify their claim to power and control. I understand that this needs to be deconstructed. But maybe we just should not have a new great narrative which will replace the existing ones. Cause then in becomes a religion....
Ok, I need to read more about the school in New York and maybe one day apply to join it. There is nothing more enthusiastic than an opportunity to challenge our mindset with creative people with different backgrounds. Maybe we, the funtionaires, take it to easy to be the guardians of the treaties and Commission spirit. Maybe we should be more challenging?
I think I should read more Weber about administration and bureacratisation of society. So my next post should be about the impact of new communication technologies on the XIX century administration.... Or actually the concepts continues the old French concept.... we the administrators, they --- les administre (please add the accent above the last e).
So the king is naked. European integration despite all the flags, speeches and anathems is an object which should be scrutinised without piety. Let's show the notions in the heads of the directors. Let's show what the promotion mechanisms are; who gets the Commission jobs and for what reasons. And let's show the aculturation of Commissioners- did they change after serving their term... Or they are statist actors as realists claim.
I wrote a Ph.D. about it and I still know nothing.
I am afraid that most of those studying the EU fall back to finding a single history of why all this happened. Of course there are federalists... but they only claim what is the end game- a federation of states/regions etc. There are functionalists, who say that we did it because we needed. There are realists who say that actually nature is not changing. They claim that states always existed and they have always pursued state interests... There are liberal intergovernmentalist who start depicting the rules of negotiations and the rational decision making. And at the very end we have politicians who write their biographies and depict the life as they remember it/or they want to be remembered.
So why we have direct elections to the European Parliament... I have not read a profound analysis of this break in politics in 1976 (it was decided then). What are the unintended consequences of the establishment of the Convention in Laeken? What was the mindset of the first Secretary General of the Commission? Did he perceive the role of administration according to ENA standards or was closer to the Dutch approach?
After all my studies I see an enormous gap in looking at all the European organisations jointly: Council of Europe, OECD, OECE, NATO. I understand that in 2009 the EU overshadows all the other phora. But how was it in the fifties, sixties?
And we fail to realise the huge complexity of interest formation and articulation within the governments and between them. I must say I know only one eye opening book about integration written by Philipe de Schouteete-a long serving member of COREPER. He does not depict history; he writes about ideas and their incarnations. And when he writes about these ideas, he shows the extremes and the full spectrum in between. OK, I agree I should read the Memoirs of Delors.
I was hoping that somebody (or me) will write one day a huge narrative about the European Union; a narrative which shall clarify who did what and when and with what objective. This would be exactly the story that nation states created to justify their claim to power and control. I understand that this needs to be deconstructed. But maybe we just should not have a new great narrative which will replace the existing ones. Cause then in becomes a religion....
Ok, I need to read more about the school in New York and maybe one day apply to join it. There is nothing more enthusiastic than an opportunity to challenge our mindset with creative people with different backgrounds. Maybe we, the funtionaires, take it to easy to be the guardians of the treaties and Commission spirit. Maybe we should be more challenging?
I think I should read more Weber about administration and bureacratisation of society. So my next post should be about the impact of new communication technologies on the XIX century administration.... Or actually the concepts continues the old French concept.... we the administrators, they --- les administre (please add the accent above the last e).
So the king is naked. European integration despite all the flags, speeches and anathems is an object which should be scrutinised without piety. Let's show the notions in the heads of the directors. Let's show what the promotion mechanisms are; who gets the Commission jobs and for what reasons. And let's show the aculturation of Commissioners- did they change after serving their term... Or they are statist actors as realists claim.
I wrote a Ph.D. about it and I still know nothing.
Socrates said the wisest of all is the one who knows that he does not know anything.
ReplyDeleteI find it good that you pose this question especially about the space created by various EU institutions to articulate EU related policy, fore mostly the European Parliament but also the Commission and the Council. I would also endorse your appeal that the story about Europe must be told well in order to get a sense of the flow of things and how differently people interrelate nowadays compared to when there were still hard borders seperating everyone from the other. As a possible answer yuo might want to look at a conference to take place next week in Toronto under the title "Europe performing after the fall of the wall". It is related to theatre and not to a finely tuned motor performing well but you can take up that metaphor. In any case, the European Union is naturally a huge mechanism for the redistribution of resources conjured up no one knows and therefore the story should really begin by asking but what is the extra European value in what people do anyhow daily? As to the conference look up under the name Pia Kleber from Toronto University as she is the organiser. Thanks for all your queries. I will take them into consideration when giving my speech about Europe at that conference. Hatto Fischer, Athens, Greece
Hi Hatto,
ReplyDeleteMaybe European theatre is a good answer. But what I am looking for is the dramaturg/the writer. Because you need somebody who says the story. I do not find a good story teller in all this. Should it be the president of the European Parliament, or Mr Barroso, or Giscard d'Estaing?
Normally you would say that the winner writes the history. Winner is somebody whose vision has been realised... or ideas.
But it is good to know the theatre acknowledges the history and the changes linked :)
have a good conference!
Back from the conference, I can only say it offered more than mere insights. Many contributors showed how through the theatre, what is being performed, can reflect ongoing changes in Europe. Since it was as well a special dialogue between former East German and Polish theatre experts (actors, directors, critics), historical evidence was reflected upon in a much more nuanced way. Thus to come back to your question or rather to what you are looking for, the story of Europe can be told by theatre allowing the interpretation of the present while going beyond those borders drawn in silence and therefore erecting walls of silence. Thus Johanna Schall from the former East Berlin state theatre impressed me how she defined cowardice when it comes to face political challenges when being privileged by the very system making possible these privileges. Banuta Rubess reflected about the growing distance between the population of Latvia and its government by speaking about how to read through the contemporary theatre in Latvia what crisis is building up there. As a matter of fact she rang the alarm bell. And Laura Caretti in her presentation about Peter Brook and Grotowski explored possibilities of making possible a dialogue despite this ruling silence. The Polish dance critic Jadwiga Majewska departed from the thesis that only the free man can dance and developed the insight that dance theatre came only into existence in Poland after 1989. Most interesting is her analysis of the 'power of boredom'. In other words, theatre can take down walls and read the audiences as a reflection as to who is interested in what stories are being told nowadays to comprehend Europe changing.
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